Human faces are very powerful. User Experience designer Aarron Walter describes in his book Designing for Emotion why we appreciate human faces so much. He explains that we are constantly exploring the world around us by looking for something familiar. Familiarity gives us a feeling of comfort and reassurance. When we see a face, we are
Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon to On crossing the imaginary line drawn from Punta Mala to Azuera the ships from Europe bound to Sulaco lose at once the strong
Human faces are very powerful. User Experience designer Aarron Walter describes in his book Designing for Emotion why we appreciate human faces so much. He explains that we are constantly exploring the world around us by looking for something familiar. Familiarity gives us a feeling of comfort and reassurance. When we see a face, we are
Human faces are very powerful. User Experience designer Aarron Walter describes in his book Designing for Emotion why we appreciate human faces so much. He explains that we are constantly exploring the world around us by looking for something familiar. Familiarity gives us a feeling of comfort and reassurance. When we see a face, we are
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This page is filled with sample content illustrating what various image types look like. Right-aligned Medium Perhaps the very atmospheric conditions which had kept away the merchant fleets of bygone ages induced the O.S.N. Company to violate the sanctuary of peace sheltering the calm existence of Sulaco. The variable airs sporting lightly with the vast semicircle
That last is no more than a foot high, and about seven paces across, a mere flat top of a grey rock which smokes like a hot cinder after a shower, and where no man would care to venture a naked sole before sunset. On the Little Isabel an old ragged palm, with a thick bulging
The only sign of commercial activity within the harbour, visible from the beach of the Great Isabel, is the square blunt end of the wooden jetty which the Oceanic Steam Navigation Company (the O.S.N. of familiar speech) had thrown over the shallow part of the bay soon after they had resolved to make of Sulaco one
It might have been said that there he was only protecting his own. From the first he had been admitted to live in the intimacy of the family of the hotel-keeper who was a countryman of his. Old Giorgio Viola, a Genoese with a shaggy white leonine head—often called simply “the Garibaldino” (as Mohammedans are called
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